The Top 5 Snatch Game Performances in Drag Race HERSTORY

Tuesday, 13 July 2021

If there were drag race viewer championships, I'd win gold. I have watched every episode of every season of the US Drag Race more than three times. So you could say that I'm extremely down with the isms, lingo and am completely full to the brim with references. I sometimes feel that I have to go out of my way not to use a drag race reference in my sentences. 

RuPaul's Drag Race US and UK have both been over for a little while now, thankfully though, All Star's 6 is streaming weekly on Netflix to give me my weekly queen fix. 

We are 4 episodes in, so the infamous Snatch Game is looming. For those of you that don't know, Snatch Game is a parody of the American fill-in-the-blanks style game show 'Match Game', only the drag version see's contestants put on their best celebrity impressions. 

As an out and proud Drag Race superfan, here are my top five all-time favourite snatch-game performances: 


5. Trinity the Tuck (All Stars Season 4) - Caitlyn Jenner



Iconic quote: "Malibu, baby!"


It was the season on All Stars that first gave us the twist on a classic titled 'The Snatch Game of Love', the same concept but with a blind date element to it, that gave us this world class impression.  Trinity portrayed the trans icon, Caitlyn Jenner, dressed in a white suit with her signature brunette locks. Trinity emulated Jenner's persona down to the very finest of details. The mocking, extravagant, and quick-witted responses had everyone including RuPaul in stitches. However, Trinity was on the very cusp of offensive and even slipped over the threshold a few times, portraying Jenner in a rather overly- masculine way which sparked controversy from viewers post-show. But nevertheless, this performance was seamless and hilarious. 

4. Bimini Bon Boulash (Drag Race UK Season 2) - Katie Price


Iconic quote: "The nipples are the eyes of the face"

This performance is still as fresh as anything. It was first on our screens only a few months ago on season 2 of Drag Race UK. It was so effortless, from the constant stiff pout and accent to the overall mannerisms and hilarious statements that came out of her mouth. 

Bimini's performance was Bafta approved, and even more importantly... KATIE PRICE approved. The Pricey posted a reaction video to her social media where she revealed she was totally impressed with the impression: "I think that was fantastic. And [Bimini] is right, I can take the piss out of myself and I do. But I think [they have] done a good job. I’d love to go on that show."

3. Chad Michaels (Rupaul's Drag Race Season 4)- Cher



Iconic quote: "Who books me on these chicken shit gigs!" 

This one may seem like a cop-out, because Chad Michaels basically is Cher, but they need to be comended for their amazing work. The Cher-ism's are spot on. There was not a single missed moment in the entire performance. And they even famously had a wig change mid- way through, promting the same physical gag to be copied in future seasons.
 

2. The Vivienne (Drag Race UK Season 1) - Donald Trump


Iconic Quote: "I've grabbed Michelle's p**sy several times..."


It's been widely hailed as the 'best Trump impression ever', and it's no surprise why. From the tango-tinted skin and the wild blonde mop to THE most perfect DT voice ever heard. The Vivienne actually sounded exactly like him, if not more like him. Oh and we can't forget the signature double-hand gestures and overall teethiness. A sight for sore eyes in the nicest way possible... 

1. Alaska (All Stars 2) - Mae West


Iconic quote: "Why don't you come over and f**k me in the ass sometime?" 

Alaska is quite possibly one of the most unfiltered and outrageous queens there is, so even before this one began you knew you were in for a treat. There's just no knowing what Alaska is going to say, but it's always off the cuff and downright hilarious. I mean the most famous quote from this sketch is "Why don't you come over and f**k me in the ass sometime?" - the one-liner that pretty much defines this Drag Race challenge. From the jokes and embodiment of the actress and sex symbol Mae West right down to the most stunning monochrome old Hollywood that has ever been seen on a Snatch Game, the whole thing was just perfect. It's making me excited for what's to come on the next All Stars Snatch Game installment because they would have to be exceptional to beat this one. 


Out With The New In With The Old

Saturday, 10 July 2021






Still think stylish and sustainable can’t be in the same sentence? Well think again. We have picked out five concious innovations raising the bar on ways to shop in an eco-friendly manner while still channeling your inner fashion influencer.


Last year, the streets of London were lined with polka dots. Every turn was a vision in monochrome. It sounds like it could’ve been the opening credits of 101 Dalmatians, only there was no Pongo or Purdy in sight. Instead, a flurry of shoppers, commuters and day-trippers alike all sporting the same frock that was enough to make Cruella go dotty. It was the modest, multi-faceted midi dress that stole the hearts of women of all ages, shapes and sizes. If the summer of 2019 were an item of clothing, it would be that £40 Zara dress. It was so popular that it even got its own Instagram account with over 25k followers. But with such demand comes dire consequences. The dress that defined a season was the living embodiment of the problem with fast fashion. 

If demand for cheap garments continues at the current rate, by 2050 the industry’s carbon footprint would be equal to the amount of carbon emissions that the whole of India produced in 2018. Of course, it’s not just Spanish-based Zara that’s the culprit. Other notorious brands include PrettyLittleThing, ASOS, Boohoo and Misguided. A common thread linking these names together is that they are all British born and bred. It’s online retailers like these that have thrust the UK into being the epicentre of fast fashion in Europe. Each person in the UK buys an estimate of 26.7kg of clothing a year, compared to an average of 15.6kg for people across Germany, Denmark, France, Italy, The Netherlands and Sweden. 

Much of these clothes are made using cheaply produced and sourced fabrics, like polyester which has a carbon footprint of 5.5kg compared to cotton that has just 2.1kg. The proportion of these synthetic fibres in clothes has doubled since 2000, rising to 60% in 2019. There is no denying that this is a big problem, after all, it is the second most environmentally damaging industry after oil. The high street has started to pick up on this, offering conscious lines with sustainable items that promise to have you sporting looks that don’t cost the earth, literally. However, the term ‘sustainability’ is forever at odds with the long-established world of fashion. It’s a trend-led industry, so the hottest, newest fads from the catwalks are what sells. 

While some companies are definitely taking steps to be eco-friendlier, some are just using sustainability as the next ‘in thing’ which is an exercise in smoke and mirrors. This misleading practice is called ‘Green-washing’, which is when a company uses ambiguous terms to suggest it’s doing more for the environment than it actually is. But there’s a new wave of immersive retail and technology experiences emerging worldwide, providing an innovative antidote to fast fashion and help stop the damage in its tracks. 

We’ve picked out a few that are disrupting the market:

1. Transparent Shopping


The problem with many mainstream fashion brands is that they capitalise on the growing interest in sustainable and ethical clothing. Buzz-words like eco, conscious, kind and sustainable are thrown around to create a blur of fluffy marketing nonsense making it hard to know what’s true and what’s not. New platforms like Lone Design Club (LDC) are helping environmentally minded customers cut through the cons of the high-street by acting as an aggregator bringing conscious brands together and verifying their green practices.


Rebecca Morter founded LDC in 2018 after she realised her fashion label Rein, which was worn by the likes of Lady Gaga and Charlie XCX, was contributing to the fast fashion problem. LDC is a London-based pop-up shop that houses independent brands and offers the designers a chance to meet the consumers and give them first-hand accounts of how the product was made.


 “Everyone in this pop-up are being clouded by big names like PrettyLittleThing. They have such a way with people, everyone knows their name because they offer quick, cheap products that are worn once then thrown away” says Amanda Fullalove, Marketing and Events Manager at LDC. “I do think that’s changing now though, people are looking for brands they believe in and trust the person who made it, it’s an investment to them.” 


LDC’s mission is to help shift the mindset of customers seeking new clothes and educate them that spending more on an item made by a small company is money better spent than cheap fast fashion. “A lot of [the designers] have had experience in the industry before,” Amanda says, “like Fanfare Label, the designer Esther Knight was a buyer for Vivienne Westwood and it was the things she saw in the factories that made her want to get out and start a more sustainable practice on her own.” 


Just over a year ago, contemporary unisex brand Fanfare Label was born after founder Esther Knight saw the first-hand damage large companies had on the environment. “I was a buyer for both designer & high street fast fashion brands. As a buyer, I was the one that was dealing with and producing clothing to hit margin targets no matter what to cost was to people or the environment” Esther says. “I realised I couldn’t be part of this industry in the same way anymore. Rather than leaving it, I decided to offer people an alternative, tackle this issue head-on.”


“We introduce revolutionary practices into our design developments by developing a circular business model, having zero waste pattern cutting & production, producing multiple wear clothing and promoting longevity through predicting trends

 years ahead.”


2. WE’RE HIRING!


The age of Instagram and influencers has developed a culture that relies on new outfits for every new event. Let’s face it, we’ve all been guilty of doing something for the ‘gram.  A study by The Ellen MacArthur Foundation found that 50% of fast fashion that is made will be disposed of within that same year, which this new culture Is largely to blame for. It’s not only created a surge in fast fashion purchases, but also a practice called ‘wardrobing’. This is where customers return worn products to retailers, which astonishingly 1 in 5 British clothes shoppers between the age of 24 and 35 admitted to doing it. If wearing an outfit once is what people want, then clothes hire is surely the answer.



What was once limited to formal wear to offer short term rentals of posh gowns and red-carpet looks, is now expanded to clothes for all occasions and even shoes and designer bags are on offer. You can live out your Cinderella fantasies and get glam for one night only without breaking the bank. The companies either charge a one-off fee for an item or offer a subscription service for unlimited clothes hire. 


The business model is already really big in America, with pioneering brands like Rent the Runway which is worth a billion dollars. But new British companies have started cropping up in recent years, like Girl Meets Dress, Hurr Collective and Hire Street. “Extending the life of the clothes you own is the best way to reduce your fashion footprint.” Renting is a great way to be sustainable. It’s a driving force of our community and our business. Renting is the future of fashion” said Victorica Prew, Founder of Hurr Collective, to The Telegraph last year.  


A study carried out by Westfield Shopping Centres revealed that the potential rental retail market is worth £923 million in the UK alone. So, save some pennies to go alongside your Netflix subscription as this is set to be the next big thing. 


3. SWAPSIES

Remember when you used to swap wacky stationary, trinkets or playing cards as a kid with your pals? Well, this is like the adult version of that. Clothes swapping is a circular economy model, meaning you can get ‘new’ clothes without buying into fast fashion. It’s something you can do between friends or attend events by organisations putting swapping on the fashion map. 


Global Fashion Exchange (GFX) is an international platform that empowers consumers to be more mindful while updating their wardrobes by saving clothes going to landfill through clothes swapping. In February 2020, GFX collaborated with designer Patrick McDowell, Lablaco, Swap Rebellion and Swarovski Crystals to host the first-ever swap shop at London Fashion Week. “It’s an experiment. It’s never been done before. It fits in with the way the world’s moving, towards experiences, rather than consuming” McDowell told The Guardian.


GFX events happen across the globe and anyone can add their own event too. At one of these swaps shops, you attend with a bag of unwanted clothes that act as your currency. One item equals one ticket and a ticket can be exchanged for one item of clothing. The GFX team then sort through the clothes and items of good quality are put into the swap hall into sections in a retail shop format. The stuff that doesn’t make the cut is whisked off to be repurposed into a new garment. So, if you’re strapped for cash but are desperately bored with your current fashion offerings, then why not attend a swap or organise one of your own? The excitement of not knowing what you’ll

find is enough to sway anyone.


4. GET TECHY WITH IT


When thinking about technological innovations in businesses, fashion is not something that usually springs to mind. Blockchain is something that was first used in the finance and banking sectors but has now started to flow into the fashion industry too. Now that brands are urged to be more transparent about the production process and supply chains of their garments, blockchain technology is an excellent addition. It attaches a unique serial number and a QR code to an item which allows it to be tracked. Anyone can see the journey that item has been on from manufacture to end customer. 


Founded with a mission to make fashion circular, Lablaco is the very first retail platform that has implemented blockchain.  The company has revolutionised the average shopping experience by introducing traceability technology on their pre-loved e-commerce website. To put it in simple terms, if Beyoncé once owned that vintage Prada bag you were just eyeing up on their website, then you will know about it. 


Lorenzo Albrighi, co-founder of Lablaco, says their mission is to enable circular retail at scale. “Customers need to have a better alternative to fast fashion, so [they need] cheaper clothes at a fraction of the impact,” he says, “Swapping and pre-owned is going to disrupt the industry in the near future.” One of their goals is to recirculate 100,00 fashion items and partnering with GFX at this year’s London Fashion Week brought them leaps and bounds towards their goal. “Attending the LFW swap shop, endorsed by The British Fashion Council, has really leveraged blockchain,” Lorenzo says. “By providing the items ownership history and estimated environmental impact, in just 3 days we saved the equivalent of 600,000 litres of water and 4 tonnes of CO2.”




In Conversation With: Sophie Dunster, Gung Ho

Friday, 9 July 2021



As part of our series of Instagram live sessions during Fashion Revolution Week, Fanfare founder Esther Knight chatted to Sophie Dunster - founder of sustainable fashion brand Gung Ho - about her brand, Earth Day, and issues surrounding transparency.

Gung Ho is a London-based conscious fashion brand that uses handmade, locally produced fabrics with collections that encapsulate everything that it means to be a sustainable company. From ocean plastics to pesticides, each collection is centred around a talking point to raise awareness about a particular cause, and 10% of the profits are donated to a selected charity that works with the issue represented in the collection.

During the Instagram live video, Sophie explained the meaning behind the blouse she was wearing that day: “We're trying to get people talking about current issues. We pick a different theme each year. At the moment we're on food for thought, which is highlighting the different issues within the food industry and the everyday things that we can do to help… The garments all have hidden messaging inside the designs. The one I'm wearing at the moment is a water print. It's got lots of different silhouettes of different produce.” Sophie explained that these silhouettes, mainly images of fruit and veg, represent the amount of water consumed during the growth and production of these foods. “The bigger the produce and the silhouette, the more water needed to produce it.”

Much like our collections at Fanfare, Gung Ho collections also feature climate change messaging. “I was just about to launch a whole collection based on climate change. That was going to be our new theme, but we've had to postpone it.” Despite the setbacks, Sophie gave us a sneak peek of her brand-new collection, which featured bold colours and thought-provoking prints that represent the different factors that climate change is affecting, including endangered animal species.




Sophie believes, now more than ever, that climate change should be at the forefront of conversation because of all that is going on in the world right now. “Climate change is going to be one of the most like crazy things that happens and it's going to happen in our lifetime. I think that people really haven't got a grip on the fact that it’s going to cause such a big impact.” Fashion is a $3 trillion a year industry and is one of the world’s largest contributors to climate change, so it’s important for small businesses to use our platforms to influence change.

 Running a small business has its highs and lows, and Sophie believes that it’s time management that she struggles with the most. “There’s always just so much you want to get done. I wish I had five pairs of hands but I don’t. Especially because I think a large part of what I do, is I get to campaign with a lot of really cool people. Over the past year, I've managed to meet so many awesome people that are doing really badass things. And I'm think, wow, I want to be able to share what this is. But then I remember, “Oh, hang on a minute, I’m supposed to be running a fashion brand!””

It’s no surprise that the current pandemic has slowed the world down and helped us to all stop and think about our choices when it comes to consumption, but what is it like for small businesses in this uncertain time? Esther revealed that the thing she misses most about normal work-life pre-pandemic is the human interaction. Sophie, on the other hand, has a very unique home environment which has probably helped her transition into this new way of living: “I'm very lucky. I live on a boat. So, I've got a pier, which is like a big concrete garden. Me and two of my neighbours, we've been doing HIIT workouts on our pier, socially distanced of course,” Sophie explained. “So, we just run around and try and escape all of the energy and then you're like, okay, I can kind of focus again.”

A question sent into us from a viewer asked about the main transparency pinpoints of Gung Ho. “I’m very lucky because most of my stuff is in London and the UK, so I can visit the studio/factory, so I’ve got a really good relationship with them. Also, our fabrics, materials and packaging and also documenting the garment from start to finish”

When you start to have complex supply chains with garments made in multiple different locations, that tends to be where transparency fails because you can’t keep track of the journey an item has made. Like Gung Ho, at Fanfare we pride ourselves on producing our garments here in the UK so that we know where our garments are made and can have a positive relationship with our suppliers. Being able to visit the factories where the items are made is the real key to transparency.

Technological advances are pushing the need for transparency in the fashion industry, like blockchain, but it’s not always attainable, especially for small businesses. “I can’t tell you exactly where the cotton was grown, but it’s got a certification, and that has to be good enough because I can’t physically go to the field that it is made in and make sure that’s exactly where it is made...It’s not done yet. But there are places that are using tracking devices. But I had a discussion with some of the companies that offer that and they were asking for £10k. As a one-woman band, I can’t afford to do that. It’s something that until the government helps with costs and makes it a thing that you should have to be doing it won’t happen.”



Sophie believes that the government should subsidise and help small businesses to be more sustainable. “The government should tax more on unsustainable, polluting fabrics and subsidising on more sustainable fabrics so it means that it’s a lower cost and more available to a lot of other people.”

The best way to support small, sustainable businesses like Gung Ho and Fanfare is to publicise and support brands that are enforcing and fighting for change in the industry. “I think it's really, really important to put your money where your mouth is and support the ones, the people and the brands that you want to see on the other side of this pandemic,” Sophie said. “It is very much about showing support and love at this time when you can.”



As part of our series of Instagram live sessions during Fashion Revolution Week, our Founder Esther Knight chatted to Ilishio Lovejoy, Policy and Project Manager at Fashion Revolution, about the movement’s plans for 2020, the Fashion Revolution Transparency Index and how COVID-19 has affected the industry.

Fashion Revolution Week is an annual week of campaigning that takes place each April, demanding transparency in the fashion supply chain. “It was conceived in 2013 after the tragic Rana Plaza factory collapse. At the time, there was definitely a sustainability movement happening, especially in the UK but worldwide as well,” Ilishio explained. “At that point, everybody in London came together and really sat down and said what can we do?This obviously isn't working because over 1000 people died making clothes for the high street. That’s how Fashion Revolution was born.”

Ilishio has roots in sustainability which eventually led her to being a part of the world’s largest fashion activism movement. “Six years ago, I started my career in the film industry in costume design, so I come with a fashion background” she said. 



“I then went on to work for the Ethical Fashion Forum (now Common Objective)”. As Policy and Project manager at Fashion Revolution, Ilishio primarily looks after the highly anticipated Fashion Transparency Index, which is released each year at the start of Fashion Revolution Week.

The index reviews and ranks 250 of the largest global fashion brands and retailers according to the amount of information they provide about their suppliers, supply chain policies and practices, and social and environmental impact. This year H&M topped the chart for being the most transparent, which many didn’t agree with. But as Ilishio explained, it’s not all about being sustainable. “Being transparent is a great step towards sustainability because it allows us to have a dialogue with them and to ask them, why aren’t you doing more?"

“The reason we look at the world’s largest brands is because we believe they should be leading the way, they definitely have the capacity and the money to be doing this… For us, transparency doesn’t equal sustainability. Transparency enables you to better understand what a brand is doing. For us, transparency is a tool and the first step on the journey towards sustainability.” 

While COVID-19 has halted just about everything, for Fashion Revolution Week there was a silver lining amongst the disruption; the opportunity for more people than ever to get involved in the movement. The week had originally been planned as the biggest Fashion Revolution event yet, with brand new opportunities like a giant clothes swap in the works.

Instead, they have adapted the week for the online world, with Q&As with industry experts to immerse people in sustainable fashion from their own homes. “Normally we hold it in the V&A, we do question time and there’s a couple of government policy makers involved the panel,” Ilishio explained. “As with many things, we moved that online this year, which is incredible actually, because more and more people are able to join in that room. So, it's quite exciting.” 

It was important that this year’s Fashion Revolution Week still ran business as usual as the current climate has seriously affected the lives of garment workers - a pre-existing problem that has been greatly accelerated off the back of pandemic. “What we are seeing with COVID-19 is a crisis. It is having an impact on everybody, but unfortunately the people down the supply chain seem to be hit the hardest because brands have had to close their stores, which has led to them cancelling orders that have potentially already been produced, partially produced or they’re cancelling future orders.”



A lot of brands don’t pay the workers in the supply chain until delivery. Brands have evaded paying for orders that haven’t physically arrived in store due to the recent closures, quoting contracts that take advantage of factories having already executed the work. In fact, Ilisho pointed out that a report by Fashion Revolution found that only 6% of brands published a policy stating that they will pay their suppliers within 60 days, so this is not a new issue.

“Imagine if you were a supplier and you've just had all of the money that you’re owed and all of the foreseeable money that you thought was coming cancelled. What are you left to do? You don’t have many options other than to let workers go. When they lose their jobs, they have such severe impacts such as not being able to afford rent or pay for food. That’s why the situation at the moment is so bad,”

“There has never been a time that Fashion Revolution is needed more.”

 






(This article was originally written for Fanfare Label)

As part of our series of Instagram live sessions during Fashion Revolution Week, our Founder Esther Knight chatted to Cherie Birkner, Founder of SUSTAINABLE FASHION MATTERZ (SFMz) and member of Fashion Revolution Germany, about how she got into the sustainability movement and a bit about her career within the industry.

Cherie has over 18 years of experience in the fashion industry. What started out as a mere dream to see her designs upon the backs of passers-by as a fashion design student soon transitioned into a career as a creative director at a fast fashion company. However, working for a brand with such damaging practices eventually started to play on her conscience. “After three and a half years, I reached the point where I thought, you know, this feels so wrong and I feel so out of touch because the voice I have on the inside said this is exactly not what we should be making… Clothing that is not valued, that is not of high quality. And the thought of me being able to finance my life because somebody else is sitting in a room filled with materials that are just full of chemicals.” So, she quit.

“I decided to become a photographer. One of my first projects was to portrait people who were making a difference in the fashion industry, which has now become Sustainable Fashion Matters!” SFMz is a solution-based online platform that aims to shine a light on the world of sustainable fashion and champion the groups and individuals involved in making change. “You can use our website to educate yourself on sustainability and sustainable practices in the industry. So all of our blog posts, whether they’re editorial or on a specific topic like microplastics, there’s always something to learn,” Cherie explained. “We have a fact page with really well researched and sourced facts…We have a page which lists lots of change-makers like bloggers, designers and activists.”

WHAT IS ACTUALLY WORTH BEING MADE AND WHAT DIFFERENTIATES SOMETHING THAT I COULD DESIGN FROM SOMETHING I COULD FIND ON THE HIGH STREET?" - Cherie Birkner, Sustainable Fashion Matterz

SFMz also holds sustainable fashion campaigns and networking events each year surrounding Fashion Revolution Week. “I actually enjoyed our last event the most. It was when Coronavirus was already starting and we had a really, really small turnout, like eight people. I enjoyed that so much because I was able to really have a conversation with everyone who was there.” Other events that Cherie has most enjoyed have been those in collaboration with Frauenmacht, an initiative that brings female founders to the forefront and allows them to share their stories of founding a business. “We did a sustainable fashion edition and had some really amazing female founders sharing their do’s and don’ts of business and how to crowdfund and things like that.”




 Cherie says that the thing that got her into sustainable fashion was the question that she asked herself as a student: “what is actually worth being made and what differentiates something that I could design to something I could find on the high street?” The answer to that was materials. “When you're going shopping with these companies, you have so much polyester. I don't know about you, but if I wear a polyester acrylic sweater, I do not smell very good and I haven't enjoyed wearing it. I have started to appreciate good clothes”.

 Wearing fast fashion items that are infused with harmful chemicals originating from the manufacturing process can actually harm the wearer, causing skin conditions like Eczema. Not only does it hurt the consumer, but these toxins have serious effects on the garment workers that have to handle them every day. During the Instagram Live chat, Esther gave a little insight into the devastation that the industry is causing on the workers at the bottom of the pecking order. “It's hard to be sustainable. Yes, it does take an element of infrastructure, but it's actually just considering people's needs and not putting profit first all of the time. What I found shocking from The True Cost documentary was about the chemicals. In India where they dye fabrics, there is a whole village that has cancer. Lots of them are born with disabilities because of the chemicals that are going into their water streams from the clothing industry. We are poisoning villages. That’s just mental.”

Being a sustainable fashion advocate with a successful platform like SFMz, it’s obvious that Cherie takes her personal sustainable fashion buying seriously. From second-hand buying, vintage, swapping and upcycling to just sticking with what’s hanging at the back of her wardrobe, she loves it all, but one of these methods holds a special place in her heart.

“I think upcycling is something I, I get really excited about. I love upcycling brands such as Fanfare because it’s a unique item. I wish all brands were upcycling! The way it feels when you wear something where there is only one of those and someone gives you a compliment, it makes you feel so special!”

 As for Cherie’s role within Fashion Revolution Germany, since April 2020 she has been involved in launching the organisation’s very own fashion brand, CRISIS Fashion. But it’s not what you might first expect. The launch holds an incredibly strong and thought-provoking message aimed to raise awareness around the crisis that has been created off the back of the COVID-19 crisis which has plunged garment workers from countries like Bangladesh into further poverty. “If you haven't seen it yet, definitely go to CRISIS fashion on Instagram and check out the website. You'll find out why Fashion Revolution Germany is, in fact, launching a fashion brand and what that's about. I don't want to give away too much…”





loop system.”